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It’s Johnny Williams all the way, baby! Jazzy, melodic and breezy. The source cues are all a joy to listen to. In the score I was particularly taken in by the cue “Harlee Dressing” that had so many “Williams-isms” in its arrangement that I almost had to double check that I wasn’t mistakenly listening to a more recent soundtrack! That track is a clear prototype of techniques that Williams would infuse in to almost every big-budget soundtrack that he would write from the late seventies and onwards.
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Descargar e sword en español completo movie#
The main theme pops up frequently throughout the score giving the score a clear identity but the arrangements differ enough not to make it to monotonous. The last three cues, “Waking Up”, “Finale” and “An Architect’s Dream/End Cast” is as good as an outro to a movie as John has ever written. For example, I really like the suspense build-up in “The Solution”. But it is the quieter moments that I find the most appealing and most likely will put into regular rotation. Nonetheless, there’s an abundance of good music on here. So a lot of these tracks - though expertly crafted - I am unlikely to return to. I am not an avid fan of “action music” - those kind of busy cues rarely make it into my regular rotation when I listen to John Williams or any other composer. Each cue paints a vivid picture of wreckage and unfortunate events. The composition is the epitome of disaster music. I guess this is the “crown jewel” of The Disaster Box and it doesn’t disappoint. Early this Saturday morning, with a cigar in hand, the sun rising and my headphones on tight, I sat down on the balcony and pressed play. I finally, a bit late perhaps, had time to sit down with The Towering Inferno. It's a pleasant enough old standard, familiar to many people and certainly doesn't appear out of place here. In any case it was probably felt that because all of the source music is coming from the same party, which essentially it is, and as the studio documentation indicated its potential use then why not just use it in this instance, especially as a master recording was found amongst the variously archived audio elements. A longer deleted scene from the broadcast tv-version (found as an extra on the Bluray) confirms this as the music continues to play across the scene that was edited out of the theatrical cut. However the song was dropped and is in fact scored with a brief snippet from the track "Susan and Doug". This cue has a unique background history in the sense that according to the official cue sheet, the song was initially slated to appear over a scene prior to the building's dedication ceremony featuring dialog between Wm. The score plays great with the source cues included BTW. I've been making a chronological playlist including the source cues, but Im darned if I can find this one? I hope you all get to enjoy these too.Īnyone know where the source cue You Make Me Feel So Young shows up in the film. I believe that the source music material adds so much to the overall score.
Descargar e sword en español completo full#
There's just something about this catchy gem that I always appreciated and (after multiple viewings over the years which I have hummed incessantly) was always disappointed it never featured on the original LP or subsequent release, knowing full well it was an original tune by John Williams. The sequence culminates with a shot of guests dancing and in particular as the music becomes louder, shows the Lisolette and Harlee characters played by Jennifer Jones and Fred Astaire, participating in this bit of pre-disaster fun. was able to convince the maestro to include the various source cues that are featured on this definitive version of the soundtrack.Įven though its probably considered frivolous, I absolutely adore the low-key jazzy lounge music cue "The Promenade Room" which begins in the scene as the Fire Chief comes in to explain to builder Duncan that everyone has to be evacuated. 2 Something For Susan (Film Version) 2:45ģ Lisolette And Harlee (Film Version) 2:36ġ4 The Rescue Of Angela And The Blocked Door+ 2:16ħ An Architect’s Dream – End Cast (Alternate) 3:31Ĩ We May Never Love Like This Again (Film Version) + 2:07 Performed by Maureen McGovernĩ We May Never Love Like This Again / Love Theme + 3:05Ģ1 We May Never Love Like This Again 2:13Ģ4 Planting The Charges– And Finale 10:25Īs I was fortunate to have had a hand in this release I must say that it was a wonderful achievement that Mike M.